![]() It is easy to see why the demonstration has found such favour with professional performers worldwide. It has been featured by leading performers in live shows, television appearances and even by those claiming genuine psychic power, within the walls of scientific labs. Ten Person Drawing Duplication There are few premises in contemporary mind reading that have received as much attention, thought and stage time as the humble drawing duplication. Now you kn ow what lies ahead it is time for your journey to begin. A demonstration so baffling it has even the most skeptical audience member scratching their head and so simple to perform it requires nothing more than you, three chairs and a room full of spectators. You will learn a full telepathy demonstration to close the performance in which you appear to read the minds of many different people specifically, in detail, with no stooges, cold reading, preshow work or props. You will learn a powerful, easy-to-apply system that will allow you to effortlessly produce miracles with playing cards, as well as a demonstration that is assured to leave your spectator talking about you for a long time to come. ![]() You will learn a powerful and easy to perform opening routine that allows your audience to connect with you as a perfo rmer and also allows you to frame mentalism in a nonconfro ntational, easy to accept style that is both contemporary and authentic. In this book you will learn a powerful double drawing duplication routine, complete with professional staging tips that elevate the demonstration to a connecting thread during the course of a performance. I am confident that by the end of these pages you will discover more than one reward for your effort. I personally believe that discovering a single routine, concept or premise that I find myself excited about makes the time, investment and effort spent on exploring a book more than wo rthwhile. It requires no expensive or difficult to obtain materials or props and does not take up large volumes of space it travels easily and with the right performance skills, is capable of filling the largest of stages. b~ok will give you the material you need to create a full exp.enence it is not only a book of routines, but the material could easily be combined to become a full thirty-minute professional 4 Connection with an audience is the pures~ and most noble of pursuits for the contemporary mentalist techmcal excellence is simply a prerequisite for the greater goal. It is not easy h~wever I assure ~ou when you experience it in performance you will feel a reward hke no other. This is the ultimate desire and challenge for all mentalists. This is not to say that you should not hold yourself to the highest standards and ensure that you are able to handle the technical aspects of any given demonstration with confidence and precise technical ability, however it should be always remembered that the only thing that counts is the experience and the connection you create for your audience. With traditional close up magic it is possible to derive reward from the pursuit of technical excellence and while this is one of the noblest of pursuits, it is one that must be redefined when entering into the realms of mentalism. ![]() Mind reading more than any other form of the mystery arts, can not exist unless it is performed and experienced by an audience of living, breathing humans. A professional performance of mind reading is as much about the connection between the performer and the audience as it is the wo rds that are spoken and the deceptions that create the illusion of telepathy. It is in the smallest of details that I take personal reward and pride, as it is from these small details performance-ready material is born. In that time I have refined the methods, presentations and approaches, as every professional perfo rmer must, to elevate tricks and deceptions into wor~y experiences for modern audiences. The material I ha ve chosen to feature within this collection has been performed by me in front of real, ticket-buying audience members over the co urse of more than ten years. It is my hope that within these pages you will find professional-grade material that you will be proud to present to your au~iences. Introduction This is a book to be read, not a book to be collected. Co ver Design by Mike Clarke Edited by Jake Steele Printed in USA ![]() No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form of by any means, digital, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of First Printing, August 2014.
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